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Published Sun, Jan 29, 2012 05:43 AM
Modified Sun, Jan 29, 2012 05:42 AM

Classical review: James Ehnes

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Having emerged into the top echelon of violinists, James Ehnes is now recording the most basic standard repertoire, always with distinction, though not necessarily trumping the best among the acres of past recordings. Tchaikovsky, for example: His reading of the concerto is full of his trademark radiance of tone and lyrical gentility.

But even though there are times when you'd be happy to hear this violinist play anything, the short pieces that fill out the disc are extremely minor Tchaikovsky, and at most would satisfy listeners with a comprehensive curiosity about the composer.

The Bartok disc isn't simply a tour de force because Ehnes plays viola in the "Viola Concerto" to complete the triptych of Bartok's three string-instrument concertos. Each has its own personality, though Ehnes also accentuates how the composer's three eras of creativity relate to one another.

The dreamy romanticism of the 1908 "Violin Concerto No. 1" carries over into "Violin Concerto No. 2," but creating greater contrast with the later work's severe dissonances, written 30 years afterward. Then the 1945 "Viola Concerto" emerges as a feat of integration, the composer's folk-music studies, modernism, and innate songfulness coming together in more integrated form.

The disc really must be heard in one sitting. Throughout, Ehnes uses his great technical resources to go to whatever extremes the concertos ask. He's one of the cleanest players in the business, but always with a strong sense of an expressive end result.

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James Ehnes

"Tchaikovsky Violin Concerto, Serenade Melancholique, Valse Scherzo and Souvenir d'un Lieu" Ehnes, violin; Sydney Symphony, Vladimir Ashkenazy conducting

"Bartok's Violin Concertos Nos. 1 and 2; Viola Concerto" Ehnes, violin and viola; BBC Philharmonic, Gianandrea Noseda conducting


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