Review

Crude ‘21 and Over’ shows a little heart, too

San Francisco ChronicleFebruary 28, 2013 

From left, Miles Teller, Justin Chon and Skylar Astin in "21 and Over."

RELATIVITY MEDIA

  • 21 and Over

    B

    Cast: Miles Teller, Skylar Astin and Justin Chon

    Directors: Jon Lucas and Scott Moore

    Website: 21andovermovie.tumblr.com

    Length: 1 hour, 33 minutes

    Rating: R (crude and sexual content, pervasive language, some graphic nudity, drugs and drinking)

    Theaters

    Raleigh: Mission Valley, North Hills, Grande, Brier Creek, Wakefield, Carmike. Apex: Beaver Creek. Cary: Crossroads. Chapel Hill: Timberlyne. Durham: Southpoint, Wynnsong. Garner: White Oak. Morrisville: Park West. Roxboro: Palace. Smithfield: Smithfield.

If you’ve signed a petition in the past seven days expressing outrage at the Oscar night political incorrectness of Seth MacFarlane, stay far, far away from “21 and Over.”

It might be best to avoid multiplexes altogether for the next two to four weeks, on the chance that you mix up theaters after a bathroom break, and walk in when our heroes trick two pledges at an all-Latina sorority into making out with each other.

Whether that sounds like good fun or a sign of the apocalypse will influence your ability to embrace this college party comedy, which treads heavily through “Harold and Kumar” territory with some new ground covered as well. The movie was directed by the writers of “The Hangover,” most likely conceived when they were younger and dumber but also more fearless.

“21 and Over” sets the crude tone early, opening with our heroes Miller and Casey (Miles Teller and Skylar Astin) looking defeated, walking across a college quad wearing nothing but athletic socks covering their genitals. Flash back one day, when the pair surprises high school friend Jeff Chang (Justin Chon) on his 21st birthday.

Chang has a strict father and a medical school interview the next morning, but he goes out anyway. Most of the movie follows Miller and Casey on a quest to get their unresponsive/hallucinating friend back to his apartment before his father shows up.

Young parents in the audience may be wondering why no one dials 911 – in real life Jeff would have died tragically four or five times. Those parents’ parents probably thought the panty raid in “Revenge of the Nerds” should have resulted in felony arrests. “21 and Over” requires a suspension of both disbelief and the moral high ground.

But once you accomplish those tasks, there are rewards. Writer/directors Jon Lucas and Scott Moore find a nice balance between the over-the-top high jinks and an emotional core, which unexpectedly crystallizes relatively late in the movie. When the 18-year-olds who love this movie grow up, it might still mean something to them.

What looks like a simple journey is given “Odyssey”-like significance by the writers. A quest to find a residential adviser at a party has allusions to Dante’s nine circles of hell and “Apocalypse Now.” Jeff Chang’s scene telling off the college town’s various bouncers is an excellent use of montage.

Teller, who excelled in a smaller role in the underrated 2011 “Footloose” remake, is the standout. He possesses most of the better qualities of Jonah Hill and Ryan Reynolds, although too jumpy at times. (Future directors should monitor caffeine intake.)

The weakest link is Casey’s love interest, Nicole, who speaks and acts like a shallow man’s ideal of a girlfriend.

Much of this movie’s dilemma could be quickly solved with a smartphone – was the script written before that technology? And if you are bothered by 32-year-old actors playing 21, know that there appears to be more than one 11th-year senior.

If there’s a weighty question in “21 and Over,” it’s “Are Miller and Casey the best friends ever or the worst friends ever?”

Somewhere between the scene with slow-motion puking and naked ritual branding, you’ll forget you even asked.

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