Small rooms need small furniture, but large families need large tables. This problem has been solved in a variety of ways since the 17th century. Homes with long center halls, which were needed to keep the house cool, filled the space with several tables that could fit together to form one large table.
A favorite style was a four-legged center table and two end tables with curved leaves that could be raised to be level with the center table or dropped to hang at the side. By Victorian times, the table could be on a center pedestal with sides that pulled out so leaves could be added.
By the late 1890s, patented slides and hardware made it possible to pull both ends of a table out, then to fill the vacant space with leaves that matched the tabletop. And by the 1900s, some tables had self-storing leaves that popped into place from under the tabletop when the top was turned or pulled out.
But the most interesting and rarest are round tables made larger by the addition of wedge-shaped pieces, or a group of tables that could be made into one round table. Peter Hvidt (1916-1986) was an architect and furniture designer in Copenhagen, Denmark. He made furniture, usually of teak and steel, in the 1960s. Pieces were very streamlined in the prevailing Danish style – thin legs and arms, no fancy trim, very little upholstery.
The unique table was made of three curved shapes that could be put together in different ways. There could be one large, round table, a middle-size table or a small table for one. Rago Arts and Auction Center in New Jersey sold one recently for $3,750.
Maria Theresia plates
Q: I have some plates marked “Edelstein, Bavaria, Maria Theresia.” The plates have a plain center and a scalloped edge trimmed in gold, gold leaves and gold flowers. Can you tell me who made them?
The Edelstein Porcelain Factory was in Kups, Bavaria, Germany, from about 1934 until a few years ago. Dishes marked “Maria Theresia” can be found with several different decorations, so it may be the shape’s name. Maria Theresia dishes are part of an inexpensive line. A plate is worth less than $10.
Metal riding horse toy
Q: I recently acquired a Mobo pressed-metal child’s riding horse. The label on the front reads “It steers!” and “Sebel Products Ltd., New York.” It’s in good condition, with little paint loss. Can you tell me about it?
D. Sebel & Co. was founded in East London in 1921 and made various metal products. It made metal furniture and toys beginning in the 1940s. The Mobo Bronco riding toy, the company’s best-known toy, was made from 1947 to 1972. When the rider pushed on the stirrups, the horse moved forward. The mechanism was patented in 1942, but production didn’t begin until 1947. Several different models of the horse were made. “Magic Steering” was added in 1950. The horse could be made to turn by pushing on one stirrup. The company opened a factory in Erith, Kent, England, in 1947 and a subsidiary in New York City in 1948. A Mobo horse probably would sell at auction for $100 to $325, depending on condition.
Collectible sheet music
Q: Does old sheet music have any value? We have some published between 1880 and the 1940s. We’re raising money for a charity, and thought we could frame some of the more colorful ones to sell. We don’t know what to charge for them. Can you tell us?
A piece of sheet music published in the 20th century usually sells for about $5. Earlier sheet music may sell for more, especially if the cover is interesting, colorful or appeals to collectors. Most collectors want sheet music that’s complete, untrimmed, unframed and in good condition. Start at $5-$30 for unframed examples. Ask more if they’re very unusual.
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