Theater review: ‘Once on This Island’

CorrespondentJune 10, 2013 

Raleigh Little Theatre's production of "Once on This Island."


  • Details

    What: “Once on This Island” – Broadway musical.

    Where: Raleigh Little Theatre, 301 Pogue St.

    When: 8 p.m. Thursday through Saturday and June 20-22; 3 p.m. June 16 and 23.

    Tickets: $18-$22

    Info: 919-821-3111 or

Raleigh Little Theatre’s “Once on This Island” is a potential crowd pleaser. Those who can ignore flaws in the script and production should find this calypso-tinged show an entertaining night out.

The 1990 Broadway musical, by Lynn Ahrens and Stephen Flaherty, is set on an unnamed Caribbean island, where the locals act out a mythical tale. It concerns Ti Moune, a young girl, saved by the gods from a terrible storm. The grown up Ti Moune falls in love with highborn Daniel after rescuing him from an accident. She becomes his lover but is devastated when she learns he’s to be married. The gods suggest she kill him but her love prevents that and she dies of a broken heart. The gods turn her into a tree, a haven for a future storm-orphaned young girl.

The 90-minute one-act is told almost continuously through song and dance. Director and choreographer L. D. Burris deserves much credit for inspiring the large cast to such committed precision in its steps and movement, often filling the stage with joyful commotion and beautiful tableaus.

But many numbers are too similarly staged, the lack of contrast dulling their impact. Also, the rapid trade-off of narration makes the complicated storyline hard to follow because the actors are often obscured in the crowd and their lines poorly enunciated.

The songs have engaging rhythms and melodies but sound too much the same, despite the best efforts of the superb pit band led by Julie M. Florin. The admirable decision not to use body mics is often undercut by the band’s volume, overpowering the weaker voices.

Several notable performers help disguise the slow-moving story. Josephine Christian’s Ti Moune is sweetly innocent, her strong voice conveying great emotion, especially in duet with Daniel Gonzalez’s Daniel. Tyanna West and Brian Fisher make lovable characters of Ti Moune’s adoptive parents. Noah Anderson gives the god of death, Papa Ge, a scary fierceness, while Tina Morris-Anderson, as the sassy Earth goddess, Asaka, supplies the show’s most satisfying number, “Mama Will Provide.”

Thomas Mauney’s settings of peasant huts and elegant ballrooms add appropriate atmosphere. Ann Boivin’s headdresses for the gods are boldly imaginative and Elizabeth G. Droessler’s lighting fills the stage with vivid color.


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