Theater Review

Offbeat Irish troupe is a hit at American Dance Festival

CorrespondentJuly 18, 2013 

Staged in downtown Durham’s Motorco Music Hall with the audience at tables, the Irish troupe pPonydance Theatre Company’s piece examines four of the quirky characters found any night in any pub with honest and funny insights.

COURTESY OF BRIAN FARRELL — Brian Farrell

  • Details

    What: ponydance, presented by the American Dance Festival

    Where: Motorco Music Hall, 723 Rigsbee Ave., Durham

    When: 7 and 9 p.m. Thursday through Sunday

    Tickets: $15

    Info: 919-684-4444 or americandancefestival.org

Can modern dance be hilarious, sexy, quirky, athletic, somewhat naughty and somewhat scary, all in one 50-minute performance? It can if it’s the Irish dance troupe ponydance – the lowercase, run-on spelling just another cheeky aspect of this wildly entertaining company.

Here as part of the American Dance Festival’s “Offstage” series, which schedules performances in nontraditional spaces from museums to garden ponds, ponydance is presenting its popular 2009 piece “Where Did It All Go Right?” in Durham bar and performance space Motorco Music Hall.

The piece was conceived for the confines of a pub, the audience arrayed in chairs, with just enough space in front of the bar to accommodate four dancers impersonating various customers one might observe on any given night.

Thus we get a shy guy (Neil Hainsworth) who catches the eye of a flirty blonde (Leonie McDonagh), soon dancing intimately to thumping pop music. The movements are awkward and loose, with sudden close encounters and then a hormone-fueled grappling. Clothes fly off until the two realize where they are, grab their duds and rush off.

Then, a short, full-figured young woman (Paula O’Reilly) begins dancing by herself, eager for attention. The earlier couple returns and an escalating competition between the women results in a hysterical, rolling-on-the-floor wrestling match.

There’s also a segment where the performers seek out audience members to sit on, to dance with and even (for one lucky guy each performance) to encourage a hands-on exploration of the blonde’s body.

Last-call drunken huddling, country and western line dancing and even a surprise turn by the low-key bartender/sound technician (Duane Watters) are further examples of unexpected scenarios.

Watching the dancing so close up is exhilarating, the spinning, jumping and acrobatic partnering within arm’s reach (intimidatingly so for those on the front row). The dancers are superb comedians as well, their expressions and dialogue sassy but endearing.

The performance is recommended for those who may feel uncomfortable in a formal theater setting, but it’s also great fun for the experienced dance fan.

Because of limited seating (only 60) and positive word-of-mouth reviews, some performances are already sold out.

Judging from the vociferous response to Wednesday’s opening, the festival should already be planning the company’s return next year for an extended run.

Dicks: music_theater@lycos.com

News & Observer is pleased to provide this opportunity to share information, experiences and observations about what's in the news. Some of the comments may be reprinted elsewhere in the site or in the newspaper. We encourage lively, open debate on the issues of the day, and ask that you refrain from profanity, hate speech, personal comments and remarks that are off point. Thank you for taking the time to offer your thoughts.

Commenting FAQs | Terms of Service