News & Observer | newsobserver.com | Labels don't limit writer

Published: Jul 18, 2008 12:00 AM
Modified: Jul 18, 2008 06:39 AM

Labels don't limit writer

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Who: Author E. Lynn Harris, doing a book signing for "Too Good to Be True"

When: 7 p.m. Monday.

Where: Regulator Bookshop, Durham.

Contact: 286-2700.

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Looking for some hot summer reading? E. Lynn Harris' works are lusty, tasty page-turners, definitely for the adult reader. If you start with "Invisible Life," go for the sequels next, "Just As I Am" and "Abide With Me." Or read "What Becomes of the Brokenhearted," the author's memoir and find out more about the man.

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'African-American writer,' 'gay writer' ... E. Lynn Harris is used to labels. But as he makes clear in his latest novel, he won't be limited by them.

Has it only been two years?

For deprived fans of E. Lynn Harris, it seems longer since the last book. After all, between his 1991 debut of "Invisible Life" and 2006's "I Say a Little Prayer," Harris released 10 books, all steamy, funny and real.

This is the man, after all, who taught many readers about men on "the down low" and the women they betray.

So, on the phone with Harris from his Atlanta home, the conversation feels like talking with an old friend, catching up on where he's been hiding and the juicy gossip he can dish.

The best-selling author is talking now because there is a new book, "Just Too Good To Be True." And Harris, 51, found his inspiration in his absence.

In his two years away, he returned to his alma mater, the University of Arkansas at Fayetteville, where he had been the first black cheerleader for the Razorbacks, and taught African-American literature and creative writing.

"I was trying to be the best teacher that I could be. It was something new for me. I have never taught. ... I was only supposed to teach for a semester, but it ended up being six semesters. I liked it so much, and the students were asking me to come back."

Harris' new work is a departure -- its central character isn't gay or bisexual. Instead, there's Brady Bledsoe, a straight college football star, who wears his chastity ring as proudly as his uniform. He and mother Carmyn are close, and she's devoted herself to helping him achieve his dream of joining the NFL. Their close bond is tested as sports agents hover, Brady's cheerleader girlfriend schemes and a secret about his father threatens.

"Every time I wrote about Brady, I thought about my students at the U of A," Harris says. "At the time, my son had just turned 17. And I always wanted to write a book that he would enjoy so I wanted the character almost to be perfect. And you can't really do that.

"I went in there thinking Brady was going to be this different kind of black boy. He was going to be an athlete. He was going to be smart. He was going to be into the church. He was going to save himself for marriage. Believe it or not, there are African-American men out there like that. And we have not seen them in literature."

Yet creating Brady Bledsoe was a real challenge. Harris and his editor fought over whether the character would remain celibate throughout the novel. His editor thought Brady didn't quite ring true.

"So I went back and made him more dangerous ... more three-dimensional," he says.

A former salesman for IBM, Harris first found his audience when he self-published "Invisible Life" in December 1991. The book slowly but steadily caught fire in the early 1990s, fueled by the story of Raymond Tyler, who realizes that even though he had been in a long-term relationship with a woman, he had strong desires for a man.

Harris let the secret out that men from all walks of life and all professions, married and single, sometimes lived a double life. Many women made copies of the book and sent them overnight to their friends, Harris says. "Invisible Life" was reissued in 1994 by Doubleday and is now in its 51st printing. In his new book, Harris explores another term: "GP," meaning "gay for pay" or men who perform sexual acts with other men for money.

A writer of the people

Still, he acknowledges that he deliberately wrote about straight characters in "Too Good" to expand his audience.


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