Entertainment
Published Fri, Nov 20, 2009 02:00 AM
Modified Fri, Nov 20, 2009 09:03 AM

Feel-good 'Blind Side' flits past the clichés

ASSOCIATED PRESS
In this film publicity image released by Warner Bros., Quint Aaron and Sandra Bullock are shown in a scene from, "The Blind Side." (AP Photo/Warner Bros., Ralph Nelson)
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- Staff Writer
Tags: entertainment | movies

I'm so relieved. After seeing the trailer for "The Blind Side," I thought it was going to be a member of that annoying subgenre skewered so effectively in an old MadTV skit: the nice white lady as the savior of inner-city youth.

You know, like Hilary Swank in "Freedom Writers" or Michelle Pfeiffer in "Dangerous Minds."

Happily, this film doesn't belong in that genre. Yes, there is a white lady and she does save a poor black teen, but "The Blind Side" deftly avoids being condescending by producing a lighthearted, humorous crowd-pleaser that works until it changes course in the third act.

Based on a true story, it chronicles the life of Michael Oher, now an offensive tackle for the Baltimore Ravens, who grew up poor in Memphis, one of perhaps a dozen children of a mother stuck in drug addiction. Big Mike (Quinton Aaron) catches the eye of a coach at a private Christian school.

Once in, he sort of just floats through the elite place, a silent, hulking lump, until one rainy night when Leigh Anne Tuohy (Sandra Bullock) sees him, underdressed for the weather and obviously with no place to rest. Tuohy is a hot mom, the well-heeled wife of successful Taco Bell franchisee Sean (Tim McGraw). She's a sassy straight shooter, a woman of action. She takes Big Mike home.

It's the beginning of an emotional adoption, and before they know it, Mike is family. Sean quietly adds his name as emergency contact on Mike's school records. Their son SJ (the adorable Jae Head) becomes his much smaller best buddy. And Mike blossoms under the stability.

The obvious race and class issues aren't ignored, although they are dismissed fairly quickly. Leigh Anne's friends see Mike as her latest charity project. When they figure out that Leigh Anne's devotion has sincere depth, one questions whether it's wise to have a big black guy in the house around her pretty white daughter.

Soon Mike's grades are good enough to play football. Michael Lewis' book of the same name (he's one of the screenwriters, too) was focused more on the evolution of the left tackle position - the guy who protects the quarterback's blind side. Tall and hefty Mike seems perfect for that role, except, as they discover, he's sweet-natured. The coach declares him a failure. Then in a great scene, Leigh Ann sashays onto the field, in tight skirt and heels, and explains to Mike that the team is his family: He's got to protect them, and especially the quarterback, as he'd protect the Tuohys. Mike gets the picture.

It's a good moment for Bullock, one of several she has, and thank goodness. This is exactly the kind of part she should be playing: age appropriate, smart and yet still funny, in a sexy, adult way. She's very good. Sandy, forget all the goofy, pratfalling stuff, please!

Unfortunately, someone decided that things were going too well, so a melodramatic plot point is added that hinges on a NCAA investigation of Mike's decision to go to Ole Miss, the Tuohys' alma mater. (As Mike's tutor, the great Kathy Bates has a wonderful scene, slyly dismantling Mike's connection to the University of Tennessee.) My guess is that someone thought it might be good to show Mike making a final break from his past, and as a bonus, viewers would be treated to a hint of underclass black danger. The whole thing is dumb.

Luckily, it doesn't completely undermine the feel-good vibe the film so carefully built, and with pictures of the real-life Tuohys and Oher shown over the credits, one feels even better.

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    The Blind Side

    B+

    Cast: Sandra Bullock, Quinton Aaron, Tim McGraw

    Director: John Lee Hancock

    Length: 2 hours, 6 minutes

    Web site: www.TheBlindSideMovie.com

    Rating: PG-13 (one scene involving brief violence, drug and sexual references)

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