Entertainment
Published Fri, Nov 27, 2009 02:00 AM
Modified Fri, Nov 27, 2009 05:45 AM

A mix of farce and film noir falters

MAGNOLIA PICTURES
Louise Bourgoin plays a fantasy come to life for Fabrice Luchini's middle-age playboy in 'The Girl From Monaco.'
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- The New York Times
Tags: entertainment | movies

I wonder whether in France, where he's better known, people speak of a "type." Luchini, 57, who has appeared in dozens of movies, has over the years refined an adaptable persona that is recognizable across genres and periods. His startled-looking eyes, delicate chin and slight overbite convey a mixture of cynicism and cluelessness, as mature worldliness seems to do battle with childlike credulity.

In "The Girl From Monaco" Luchini plays Bertrand Beauvois, an eminent Parisian lawyer who travels to that notorious principality on the Mediterranean to defend a 70-year-old woman (Stéphane Audran) implicated in a tawdry, tabloid-feeding murder. The case, however, proves to be something of a distraction, because Bertrand's attention is quickly hijacked by Audrey Varella (Louise Bourgoin), a minor local celebrity -- and major party girl -- whose television weather report pretty much makes ordering soft-core pay-per-view on hotel-room cable redundant.

To say that Audrey, with her generous curves, skimpy clothes and complete lack of inhibition, is a middle-aged male fantasy come to life would be to state the obvious. And the director, Anne Fontaine, is clearly, at least in part, offering up a satire on male sexual vanity and the capacity for self-delusion it creates. Bertrand is established early on as something of a playboy, but Audrey's forthrightness, along with the apparently unfeigned intensity of her desire for him, knocks him off balance. He makes a fool of himself at nightclubs and on beaches and experiences bouts of jealousy and insecurity that follow like bad hangovers in the wake of erotic bliss.

Though he is the film's designated intellectual, his baroque eloquence a big turn-on for Audrey, Bertrand is also its simplest, most psychologically transparent character. Audrey is trickier, not so much because she is inwardly complex but because Fontaine seems not quite to have figured out what she is supposed to be and how seriously she is meant to be taken. Audrey sometimes seems to be a stereotypical dumb blonde, at others a gold digger, a tease, a carnal free spirit and a needy, capricious Medusa.

She is also the longest leg of a triangle that includes Bertrand and Christophe Abadi (the excellent Roschdy Zem). Like a lot of other local men, Christophe, hired to be Bertrand's bodyguard, is a former lover of Audrey's. The two men play out a sly buddy comedy that is the film's most fully worked-out and pleasurable aspect, with Zem's enigmatic stoicism contrasting amusingly with Luchini's pomp and vanity. Christophe's own feelings -- about Audrey, about his employer, about the line between duty and passion -- remain mysterious almost until the end.

By that point the romantic farce of Bertrand's extracurricular Monégasque existence has crossbred with the film-noir scenario he is exploring in court. The murder trial discloses a tawdry demimonde of gigolos and gangsters, and also a sequence of events that has faint echoes of "Mildred Pierce." But somehow Fontaine's attempt to mix styles and genres does not quite work, and instead of drawing tighter, "The Girl from Monaco" snaps and slackens, its apparent ingenuity revealed as a dubious contrivance.

If in the end the film is neither a cogent psychological thriller nor an effervescent sex comedy, it does have an interesting sense of place. The beauty of Monaco's physical setting and the majesty of some of its architecture is affirmed, though Fontaine also suggests that there is more to this tiny, curious country than casinos and the legacy of Princess Grace.

Though maybe not that much more.

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    The Girl From Monaco

    Grade: B-

    Cast: Fabrice Luchini, Roschdy Zem, Louise Bourgoin, Stephane Audran

    Director: Anne Fontaine

    Length: 1 hour, 35 minutes

    Rating: This film is not rated

    Theaters

    Chapel Hill: Chelsea.

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