Despite 36 years in show business, it seems that actress Phyllis Logan has never quite escaped domestic service. Her first paying role was that of a maid, for which she earned 37 pounds.
Here she is again, as the starchy Mrs. Hughes in service at “Downton Abbey,” which returns for its new season on PBS Jan. 5.
When Logan first read the part, she thought she’d have to assume a strange English accent. After all, as Mrs. Hughes is the senior housekeeper of the estate, and all the “downstairs” people come from the blue collar area of northern England.
But Logan is a Scot with a thick Scottish brogue, rolling her R’s and stretching out her vowels. And a revolutionary thought occurred to her: Why not make Mrs. Hughes a Scot?
“So I read the part and looked at the scenes and I thought, ‘Oh, this would also work quite well as a Scottish character,’ ” she says, looking nothing like Mrs. Hughes in gray chiffon with sequins and extinguishing an electronic cigarette.
“So when I was there I went in and spoke to (the producer) and he said, ‘Oh, you’ve got such a nice accent, maybe we should try Mrs. Hughes as Scottish.’ I said, ‘Well, funnily enough that you should say that, I was going through and thinking that the syntax of what she said, the type of person she was – I thought this could really work as a Scottish woman.’ They were delighted and said, ‘Yes, that’s fine.’ ”
While she may be deft with serving trays and choosing the proper linen, her first meaty role was that of a lady of England’s aristocracy in the detective series “Lovejoy” with Ian McShane. That followed with roles in almost every popular British crime series, including “Wallander,” Mike Leigh’s “Secrets & Lies” and, of course, “Downton Abbey.”
Though she participated in school plays and joined the film club as a teen, the idea of acting for a living never occurred to her until a friend suggested she try out for drama school.
“Because I came from a small town outside Glasgow nobody from my school had ever gone into the acting profession. It was just something you didn’t do,” she shrugs. “You joined the bank or became a teacher or whatever you did. I suggested it to my careers adviser who said, ‘No’ – basically, ‘Why would you want to do that, you’ll never get the grades?’ He was talking about being a drama teacher and that’s not what I was talking about.”
She ignored him, sent for a prospectus to drama school in Glasgow and auditioned her way in. Her parents thought she was a bit loony, she says.
“Not so my mum, but I think my dad just thought, ‘That’s not a job.’ Sadly my father died before I graduated so he didn’t see any of the success, at all. And my mum, bless her, who just died two years ago, she was very happy. I think she was proud of me.”
Except for a very brief stint working for tips as a hat-check girl, Logan has never had another job, nor has she ever wanted to quit acting. “It’s true as a woman particularly, the older you get the parts get thinner on the ground and not quite as interesting, that’s for sure,” she sighs.
“People are trying and I think maybe the industry is waking up to the fact that women can be funny in comedies and can be in hit films.”