You can simply tune into the Oscars. Or you can watch them with the peanut gallery on Twitter.
While Hollywood parades in tuxedos and gowns, grandly celebrating itself, a freewheeling cacophony of quips and sarcasm – something like a digital, million-times multiplied version of those balcony Muppet onlookers, Statler and Waldorf – will provide a welcome and riotous counter-narrative to the pomp.
The second-screen experience is never better than on Oscar night, when a separate (and some might say superior) entertainment experience plays out on social media. The running commentary, in which comedians and others parody the glamorous stars and their sometimes laughable speeches, has become as central to the Academy Awards as the red carpet.
“Following the Oscars on Twitter is like watching the show with 100 million of your drunkest friends,” says Andy Borowitz, the humorist and author who’s often been a standout tweeter on Oscar night. Last year, he succinctly summarized the previous two best-picture winners, “The King’s Speech” and “The Artist,” as “an English dude who couldn’t speak” and “a French dude no one could hear.”
Never miss a local story.
Live tweeting major TV events, from the Super Bowl to the Grammy Awards, has become engrained in our viewing, forming a virtual water cooler that has boosted ratings. But the Academy Awards stream is particularly captivating because it provides an antidote to the on-screen, buttoned-down glamour. It’s as if there’s not an “SAP” button on your remote, but a “YUCKS” one, bringing you play-by-play from some of the funniest people in cyberspace. Comedians assemble as if by duty.
“You gotta say something. Someone has to say something,” says comedian Billy Eichner. “To just stand by and watch it happen is almost too tense. It’s cathartic. You’ve got to just get it out on Twitter, because if not, we’re all going to be bottled up thinking about how awkward Anne Hathaway made it for 1 billion people in real time. I don’t begrudge her the award; I’m just saying she’s a ridiculous person.”
As host of Funny or Die’s “Billy on the Street,” which airs on Fuse, Eichner aggressively and comically interviews passersby about pop culture. So he’s particularly adept at expressing all-caps mockery when it comes to Hollywood stars. In the awards circuit leading up to the Oscars, he’s zeroed in on Anne Hathaway, the odds-on favorite to win best supporting actress for her performance in “Les Miserables.”
In Hathaway, Eichner recognizes a great actress, but also a striving theater geek. Nothing is funnier, he says, “than the mix of ego and lack of self-awareness, like Jodie Foster’s Golden Globes speech.”
“Ultimately, it’s just fun because the whole thing is so ridiculous,” says Eichner. “It’s like, why not comment on it? What is it even there for other than to be commented on?”
Tracking the numbers
With real-time data from services like Trendrr, the Oscar conversation can be tracked, revealing which moments resound and provoke audiences. Last year, Angelina Jolie’s leg-barring pose as a presenter immediately put Twitter in hyper-drive, spawning parody accounts from the perspective of her right leg.
It’s such moments when Twitter becomes Oscar’s dance partner. Viewers celebrate with – and chortle at – Hollywood’s self-seriousness, combining for a TV experience greater than the sum of its parts.
When the 85th annual Academy Awards air Sunday on ABC, countless comedians and others at home will be ready on their mobile phones and laptops with tweets to skewer.
“I just pray we all survive Anne Hathaway’s acceptance speech,” says Eichner. “And, to be honest, I have my doubts.”