It takes seven minutes.
A dusting of Clinique Stay-Matte powder in honey. A hand-stitched wig. Eyebrows glued up into tiny peaks. The rest is left to Alec Baldwin: the puckered lips, a studied lumbering gait and a wariness of humanizing a man he reviles.
The transformation of Baldwin, an outspoken liberal, into the president-elect, Donald Trump, for his running parody on NBC’s “Saturday Night Live,” entails a tangerine hairpiece and a tricky tightrope walk. It means balancing a veteran actor’s determination to merge his identity into a character, even as, in his offstage life, he is firm in his belief that the man about to take office is a dangerous figure.
The key to a convincing Trump, the actor said, are “puffs” – his word for the pregnant pauses in the president-elect’s speech. “I see a guy who seems to pause and dig for the more precise and better language he wants to use, and never finds it,” Baldwin said in an interview in his dressing room at 30 Rockefeller Plaza in Manhattan, six hours before a recent show, his eyebrows already peaked. “It’s the same dish – it’s a grilled-cheese sandwich rhetorically over and over again.”
Much has been made of Trump’s hands. For Baldwin, they are a focus, but for their movements. Before the actor’s first appearance, he watched hours of rallies and campaign appearances to mimic Trump’s style.
His Trump is as much censure as impersonation. He does not write the sketches. He is paid $1,400 for each appearance on the show, he said.
“I’m not interested much by what’s inside him,” he said, but in how he moves and takes up space. Baldwin then amplifies the gestures, and distills them. An emphatic wave becomes a goofy “wax-on, wax-off” movement, he said, the simple hand motion reducing a candidate to an essence: pitchman.
“Saturday Night Live” happens at a lightning pace: Those minutes of preparation include dusting the sunset color across Baldwin’s face – but not around his eyes, where “raccoon” circles of white are drawn, he said.
The wig, which on Saturday night rested high on a shelf next to the actor Kate McKinnon’s Hillary Clinton hair, is custom made for Baldwin’s head, via seven vectors measured forehead to nape, said Jodi Mancuso, the show’s hair designer.
“It helps him transform instantly,” Mancuso said. “The minute it goes on with the makeup, it’s like, ‘Oh, I get it.’ ”
Similarities that rankle
Baldwin said that he planned to continue playing Trump on “Saturday Night Live” and perhaps elsewhere, but that his work schedule – he is about to film two movies – would mean his performances would be intermittent. Besides, he said, it might start to get old for audiences.
It has been suggested that Baldwin, 58, is uniquely able to portray Trump – and to rankle him – because of their similarities. In 2011, Baldwin mulled running for mayor of New York City. They can both appear thin-skinned. Antagonized by paparazzi and feeling harassed by what he says are false accusations that he uttered slurs, Baldwin has at times publicly denounced the media. On Twitter, he can be pugilistic, notably with Trump and with his brother Stephen Baldwin, over their divergent political views.
Such a comparison profoundly pains Baldwin, whose father was a public-school teacher from Long Island, N.Y. He says he has striven not to let his financial success mar his values, and he vehemently denies the racist and homophobic slurs that have been ascribed to him. “The difference is, with Trump, it’s incontrovertible that he has said the things he’s said,” Baldwin said. “And he ran on them.”
As a candidate, Trump protested the “Saturday Night Live” portrayal of him, calling it part of a “rigged” media campaign to undermine him. Baldwin said that Lorne Michaels, the creator and executive producer of “Saturday Night Live,” has countered that the sketch show has long been an equal-opportunity heckler.
Baldwin’s first appearance as Trump on the show was on Oct. 1, a little over a month before the election. He riffed on Trump’s irascibility and his pronunciation of “China.” Baldwin reprised the role four more times before the election, with each appearance building toward what many thought was the inevitable.
Trump’s win caught the show off guard, Baldwin said, countering expectations on the show’s set of four years of McKinnon playing her mildly maniacal Clinton as president. He also did not imagine that Trump would keep providing material. A skit on Dec. 3, depicting Trump as receiving a security briefing, hinged on the president-elect sharing a Twitter post by a 16-year-old from California. (“He really did do this,” McKinnon, playing Trump’s adviser, Kellyanne Conway, says to the camera.)
As president-elect, Trump has continued to tweet his displeasure. “Just tried watching Saturday Night Live – unwatchable! Totally biased, not funny and the Baldwin impersonation just can’t get any worse. Sad,” he posted just after midnight on Dec. 4.
Baldwin said that he considered the reprobation “funny,” even as a fake news article has circulated since his first appearance as Trump, mourning the actor’s death.
As the call to dress for rehearsal sounded in the eighth-floor corridor at 30 Rock, Baldwin ducked into his dressing room with his wife, Hilaria, and 3-year-old daughter Carmen, who had stopped by to kiss him good night, shutting the door.
Suddenly, he popped it back open.
“Whoever it is, wouldn’t it be great to be the person who pulls the sword out of the stone? Who gets rid of this guy?” Baldwin said into the hallway. “Wouldn’t that be thrilling?”
He closed the door and put on his suit.