Bill Monroe, the patriarch of the virtuosic, lonesome acoustic style that’s at the center of this week’s International Bluegrass Music Association fest, worked in Raleigh with brother Charlie between 1936 and 1938.
Bill Monroe, the patriarch of the virtuosic, lonesome acoustic style that’s at the center of this week’s International Bluegrass Music Association fest, worked in Raleigh with brother Charlie between 1936 and 1938. ASSOCIATED PRESS
Bill Monroe, the patriarch of the virtuosic, lonesome acoustic style that’s at the center of this week’s International Bluegrass Music Association fest, worked in Raleigh with brother Charlie between 1936 and 1938. ASSOCIATED PRESS

Founding bluegrass fathers spent some time in Raleigh

September 26, 2015 04:00 PM