Ray Dooley’s Orgon, left, gets a lesson in piety from a “penitent” Tartuffe (Joey Collins) in Molière’s “Tartuffe” adapted by David Ball.
Ray Dooley’s Orgon, left, gets a lesson in piety from a “penitent” Tartuffe (Joey Collins) in Molière’s “Tartuffe” adapted by David Ball. Ken A. Huth HuthPhoto
Ray Dooley’s Orgon, left, gets a lesson in piety from a “penitent” Tartuffe (Joey Collins) in Molière’s “Tartuffe” adapted by David Ball. Ken A. Huth HuthPhoto

Review: Double bill of contemporary play and Moliere’s ‘Tartuffe’ makes surprising sense together

February 16, 2018 07:00 AM